Monday, March 9, 2009

I need a bigger bed.

Despite the advanced state of digital animation and the romance of traditional animation (an animator drawing by the light of a single lamp, the pile of finished pages growing with each passing hour), I find myself increasingly partial to stop-motion projects. Stop-motion allows for plenty of artistic innovation while retaining a sense of play with the clumsy-halt-jerk of its signature movements; the slight catch between each frame lets the moment settle - it expands, and lends greater poignancy to what we are shown. A picture is worth a thousand words, and when each sweeping gesture is dissected into hundreds of photographs or frames, each incremental movement becomes a story unto itself. The story multiplies.

From the exaggerated clay-comedy in Wallace and Gromit, to the magical charm of Henry Selick's high-tech Coraline, to the unconventional grace of Israeli musician Oren Lavie's music video for "Her Morning Elegance," stop-motion animation gives me a lot to think about during my recreational criticism of pop culture topics.

Take a look:

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